the sequel has a stronger, more original story that beautifully gets at the heart of what's important about the character; "Wonder Woman 1984" is not just a worthy follow-up, but a superior one and well worth the extended wait that preceded its arrival
rich, colourful, exciting and packed with great performances, "Wonder Woman" 1984 is a powerfully entertaining piece of superhero cinema, and a more than worthy successor to the smash-hit 2017 original
it's a Christmas gift equal parts thrilling, comedic, romantic and action-packed, with a tone reminiscent of the Richard Donner "Superman" movies and the 2000s "Spider-Man" films; This is a throwback piece of pure pop entertainment
Gal Gadot rocks shoulder pads and high-waist pants in retro follow-up to Patty Jenkins' 2017 blockbuster, which further boosting the Amazon hero's power to inspire
Gal Gadot retains her abundant charm as the fearless Wonder Woman; There may be a lot of padding in "Wonder Woman 1984" but there's also a lot to enjoy. Gadot's character isn't getting older, she's evolving, and that's worth watching
boasting heart, punch and fabulousness in spades, "Wonder Woman 1984" is a deserving vehicle for its iconic heroine, while there's a touching message about togetherness that everyone needs to hear
a vibrant and virtuous adventure packed with all the heart and heroism we've come to expect from DC's shining light. "Wonder Woman 1984" really is the hero 2020 needed all along
a funny, sweet-natured, brightly-coloured adventure; In its old-fashioned, uncynical way, WW84 is one of the most enjoyable blockbusters to be released since 1984
"Wonder Woman 1984", the rare superhero sequel that, for better (and sometimes, but rarely) worse, carves its own path and finds something joyous, wacky, and deeply enjoyable as a result
"Wonder Woman 1984" is a piece of hopeful, uncynical filmmaking; Every brazen beat of Patty Jenkins's sequel feels like it's arrived to pulverise this miserable year into dust
by Eric Eisenberg [CinemaBlend ]
by Richard Roeper [Chicago Sun-Times ]
by Peter Howell [Toronto Star ]
by Peter Bradshaw [The Guardian ]
