the chief pleasure of this small, self-contained film is in its dialogue, which is leaner and less garrulous than in Zahler's films and will be throwback heaven for David Mamet fans
Henry Dunham attempts to out-clever the audience at every turn, and in the process distorts his vision so much that you leave the film confused and frustrated
even without the strength of its character-actor cast, the warehouse-set drama would attract Reservoir Dogs comparisons; though neither as twisty nor as satisfying as that film, this debut shows pulpy promise and is a step ahead of its genre peers
