while "Night Teeth" has a few hiccups and is built around a pretty generic power trip narrative, it has well-crafted characters, exposition, and well-choreographed action sequences, all in a stylish package
there's a certain flair to director Adam Randall's Collateral-with-blood-sucking caper but not enough to disguise a reheated script; "Night Teeth" isn't quite as dreadful as its truly dreadful title but it's just as forgettable
the dark-side-of-the-LA-club-scene premise has potential, but the movie turns out to be a cut-and-paste thriller without any night-world bloom to it; It has none of the mystery or enticement or danger that gave those other vampire tales their bite
Night Teeth is far from devoid of entertainment value; when it comes to charming lead performances and superficial cameo appearances from Megan Fox and Sydney Sweeney, Night Teeth delivers formulaic fun without much for viewers to sink their teeth into
it's aesthetically pleasing but sucked dry of any life; Despite a likable lead and a constantly moving narrative, Night Teeth lacks bite. Not even an exquisite production design can distract from the underbaked world-building and a predictable story
far from perfect vampire thriller [but it's] still a fun watch; "Night Teeth" is not reinventing the wheel, but it is a fun neon-drenched romp that will certainly quench viewers' thirst for vampire narratives
Adam Randall's “Night Teeth” is a strangely listless vampire tale that unspools with some style and precious little sense; Underutilizing actors with recognizable skills,“Night Teeth” is an enervated parade of hot colors and cold hearts
"Night Teeth" is a handsome picture; it's an entertaining ride with the creatures of the night and their mounting frustrations with their enemies, with Randall keeping matters lively as he sorts through exposition and character introductions
"Night Teeth" doesn't paint the proverbial town as red as we'd hope, since the more exciting action elements of this underdeveloped vampire thriller are accented by flatness
by Sara Clements [Daily Dead ]
by Benjamin Lee [The Guardian ]
by Ferdosa Abdi [ScreenRant ]
