in its completist view and slavish devotion to a linear timeline of the artist’s life, the film could easily devolve into a dutiful plod, were its subject not so relentlessly interesting. But she is, so it doesn't, though it veers dangerously close
Heather Lenz's documentary on the 89-year-old Japanese artist will be both a joy and a disappointment; It's still a fascinating film but it comes up short