Karen Maine's naughty but nice coming-of-age story showcases an exceptional performance by Natalia Dyer; Dyer's Alice generates too much rooting interest, and the movie as a whole is too nondenominationally likable..
Karen Maine's impressionable directorial debut, "Yes, God, Yes", stretches its short story into a feature-length film with a smart, short, relatable, and hilarious script and an incredible comedic performance from Natalia Dyer fitting the bill
director Karen Maine beautifully constructs a film with humor and liberation for girls, as they transcend through puberty and must make sense of their "sins"
a comedy of nervous giggles of recognition, a few good laughs and enlightened compassion in the darnedest places; Karen Maine's still made a teen sex comedy with heart, smarts and subtlety
"Yes, God, Yes" is a fun and entertaining ride that unfolds at just the right speed. It gets in and out of scenes with noticeable fluidity and is able to stitch together a memorable quilt of cinematic moments
by Amanda M. Sink [The Hollywood Outsider ]
by Roger Moore [Movie Nation ]
