the quiet honesty of Anderson and Lina's interactions and raw, often handheld camerawork wash away the film's meandering pace and sometimes grating dialogue
although a subplot involving the efforts of a couple (Friend and Ulrich) to spice up their love life proves more compelling, Holdridge and Saasen simply lack the acting chops to carry their feature, leaving them with a scenic but indulgent selfie
by Farran Smith Nehme [New York Post ]
