Olivier Megaton's agonizingly dull Netflix feature; Edgar Ramirez and Michael Pitt are wasted in a deeply stupid sci-fi story about the future of American fascism
interesting premise let down by poor execution; The film's biggest bane is its runtime that needed to be shorter and filled with more action than cliched characters and confusing scenes
"The Last Days of American Crime" takes a potentially entertaining, if silly, premise and drains it of any reason to get invested. You can just imagine a John Carpenter would have doubled the thrills in half the time
by Ranak Kotecha [The Times of India ]
by John DeFore [Rolling Stone ]
