the movie gets so drunk on its stylistic affectations (and unfunny attempts at cerebral comedy).. And also too bad, as it's only in the last quarter that the viewer gets to appreciate the range of the movie's appealing lead players
the ending doesn't land perfectly, though it's suitable and unpredictable enough to hit the affectionate note Yaniv Raz resolves for, maintaining a delicate balance of empathy while staying true to itself and the material
