middle films in movie franchises run the risk of being devoid of closure and linearity, and it's that inconclusive nature to Robert Schwentke's Insurgent that proves to be its greatest misgiving
here, Tris knows her role, and instead spends most of the movie coming to terms with the casualties already on her conscience, making this entire deja vu episode feel like a hurdle the franchise must clear before moving on to its two-part finale