with a title like "Cold Blood", one might expect a violent thriller, teeming with dangerous people involved in bad business. Frederic Petitjean offers a snoozy, incident-free picture instead, wasting Jean Reno's time with a role he's played before
a film that's as nonsensical as it is blandly put together, with Arbogast's immersive widescreen photography probably the only thing making it even semi-watchable, especially when used to capture scenes of pure wordless action
by Roger Moore [Movie Nation ]
