the movie always looks and sounds great, even as it defies all logic; Sasha Luss convincingly channels that brutal determination. All those years of being in the cutthroat world of real-life modelling have served her well
Sasha Luss's uncompelling character elicits no empathy - except when she cries to be free, which is something trapped, yawning audiences will surely understand
it's hardly new territory, for Luc Besson or cinema in general, and yet to describe the plot in much more detail would take away that rare and wonderful thing that so many action films sorely lack: fun; it could be his best film in years