still, as with "The Better Angels," A.J. Edwards' new movie is magnificently impressionistic, with Colin Stetson's rhythmic score and Jeff Bierman's sun-dappled cinematography making Richie's life seem as wondrous as it is hard
Imogen Poots gives a wonderful performance; Utilizing the style he honed as Terrence Malick's editor and on his directorial debut "The Better Angels", A.J.Edwards supplies Richie's inner turmoil through poetic imagery
an artful lament for unparented youth; it is its own strong film and, whatever flaws it might have, deserves a much more visible release than it is getting
