Unsane, was shot on an iPhone, and feels like the work of a man who can't decide whether to retire or not; that's not just a matter of hasty visuals: the whole thing feels provisional and half-hearted, like a scrunched-up charcoal sketch
Unsane carries a strong, elusive narrative and contains several impressive performances, and yet their efforts are devalued by the film's shoddy presentation
no one would call this the best filmmaking of his unpredictable career, but there's a carelessness to the film's snappy, on-the-fly shooting and editing that, at its best points, lucks into something carefree
"Unsane" brims with curiosity about digital technology, discomfort with corporate bureaucracies, and is spiked through and through with icy wit – in short, it could never be anything but a Soderbergh film, and a particularly delicious one at that